Reflections On Hinduism (6)

-26 June, 2020

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Shiva, The Great God

On the white summit of eternity
A single Soul of bare infinities,
Guarded he keeps by a fire-screen of peace
His mystic loneliness of nude ecstasy.

(From Sri Aurobindo’s poem, Shiva)

Shiva, in Hindu dharma, is perhaps the most evocative of mystical and Yogic representations of the Supreme Consciousness. Shiva, in fact, is the Supreme Consciousness, the eternal existent, Sat, and the eternal consciousness, Chit, out of which this whole manifestation arises and into which it finally resolves. 

Yogis regard Shiva as the absolute nothingness out of which all existence arises. Shiva, as Void, is the supracosmic womb of all being, the primordial seed of the universes; it is in Shiva that Shakti, as infinite potential for prakriti, rests; for Shiva is unmanifest, avyaktam, till Shakti awakens and moves, manifesting prakriti. Prakriti is all that is made manifest as Cosmos, world and self, what one could loosely call ‘creation’ or srishti.

Shiva is the divine Darkness out of which Light, the progenitor of prakriti, is born. Shiva’s divine Darkness contains all Light, and therefore all creation, in potential. Shiva is like the blackhole, infinitely dense and packed with energy and matter but itself invisible as no light escapes the blackhole because of its infinite gravity. From the outside, if there could be any outside to Shiva, Shiva would appear void, empty, nothing. Yet within, in its own absolute interiority, Shiva is everything and everyone; all possibilities of existence teems within Shiva, all space and time lies coiled within him like an elemental serpent still to awake. Shiva holds in his absolute stillness the infinite expansion of universes, the waves upon waves of brahmagati .

This darkness of Shiva is not absence but infinite concentration of light in pure consciousness which is the sthiti of Shiva as avyakta or unmanifest. To know Shiva as the divine Dark is to transcend the universe of ordinary light and duality; Shiva’s divine Dark is the formless non-duality that can only be known when the physical eyes are closed in nirvikalpa samadhi, the immutable, unmodified state of the Yogin, and the third, the occult eye, opens, the self-luminous eye that needs no external source of light: the eye of Shiva in which the seer and the seen, the subject and object, are one.

Shiva is the dimensionless consciousness which holds within itself infinite dimensions of life and existence. It is in this timeless and fathomless trance of Shiva that the first divine spark of becoming is lit: that first divine desire to become the Many. Out of this desire arises Shakti, Shiva’s creative consciousness-force that tears Shiva’s singularity into the primordial duality of Ishvara and Ishvari. Thus, out of Shiva’s consciousness womb arises the Divine Mother, the infinite matrix of all manifestation, the source of all being and becoming. But through all this separation and disruption, Shiva and Shakti remain non-dual, one within the other in a supreme transcendental mystery: Shakti is Shiva manifest when Shiva opens his eyes and turns his gaze outward, and Shiva is Shakti held within in seed when Shiva closes his eyes and turns his gaze inward. The Yogin who possesses the truth-vision sees Shakti as Shiva in movement, and Shiva as Shakti coiled up in eternal quiescence. 

As Shakti, the Eternal Feminine and the Divine Mother, Shiva becomes the universe, he does not merely project it out of his creative consciousness, he becomes it. Thus the Yogin knows that all that is manifest, all that exists, all that can be seen, known, felt and touched is Shiva himself as his Shakti; and even that which is conscious in himself as himself, that which he is in essence, in tattva, is Shiva. Shivoham therefore becomes the first and primary mantra of Yoga: I am Shiva. And as this mantra penetrates and fills the consciousness of the Yogin, all differences and dualities fall away and Shiva alone stands revealed as Self, world and Cosmos. 

Yet, though Shiva permeates all existence, none can know Shiva, for Shiva himself is the knower and the seer of all, the witness of all that is. The supreme attainment of the Yogin is the realization of oneness with Shiva. Shiva is the perfect non-duality and so in him all dualities and divisions of the knower and the known dissolve. To know Shiva is not possible because there is no knower or knowledge outside of Shiva. Thus is Shiva known as Void, as nothingness: not because he is truly void but because he is beyond the reach of all dualistic human consciousness and all human faculties of knowledge. Like the blackhole, Shiva is invisible and inaccessible, and so shunya or void to our human consciousness. But it is this shunya of Shiva that is the background and substratum of all being, for when all is demolished in the timeless spirals of the universes, it is this void that remains, immutable and unfathomable; when all the light in which existence manifests is withdrawn or extinguished, all that remains is the divine Dark of Shiva. 

To enter Shiva’s divine Dark is to enter the heart of the supreme mystery, for it is in that divine Dark that one knows oneself in the starkness of being, as the pure and the one — shivoham, shivoham. It is in the inmost cave of the mystic heart that one becomes Shiva in a supreme ecstasy of spiritual union, when Shakti, as Prakriti, the eternal feminine, returns to Shiva, the Supreme Purusha, and resolves herself in him. This is not some distant onetime supracosmic event but an intimate yogic experience that repeats itself endlessly, through all humanity, wherever and whenever a human soul realizes its oneness with Shiva and dissolves into his unfathomable vastness. Dissolution in Shiva is the highest nirvana, the utter liberation, purna moksha.

Most Hindus regard Shiva as the destroyer, the God of pralaya or cosmic dissolution. But Shiva does not destroy, there is no necessity of destruction in the Divine’s scheme — Shiva dissolves and absorbs his own manifestation back within himself once the cosmic evolutionary afflatus is exhausted, much like a spider withdrawing its web back into itself; the many return to the One, multiplicity collapses back upon non-duality or singularity. In withdrawing existence back into himself, Shiva does not destroy, he transforms. Pralaya is a misunderstood idea: it is not the final destruction of the universe, it is the dissolution of the false universe and the false self in the Truth of Shiva. Thus the Yogin knows Shiva as the God of transformation and not destruction. In Shiva’s auspicious presence, death itself ceases to be an individual pralaya and turns into a spiritual metamorphosis for the realized Yogin.

Shiva’s play of manifestation and withdrawal of manifestation, oneness and multiplicity, projection and dissolution, does not happen only over yugas or aeonic spans of time but through the individual human consciousness in human time. Transformation of consciousness is the natural outcome of all Yoga, and as the Adiyogi, the first, the archetypal Yogin, Shiva presides over all transformation of consciousness: it is Shiva that leads human evolution, through the ages and through human lifetimes. Shiva, therefore, is also known as Yogeshvara, the Lord of Yoga. The ancient sages who had known Shiva intimately in their consciousnesses had said that whosoever surrenders to Shiva sincerely and entirely is led by Shiva himself, the adiyogi and yogeshvara, to the supreme heights of self-realization in a single lifetime. Shiva’s compassion and generosity to whoever invokes him sincerely and persistently is legendary.

Shiva is also known to mystics as Swayambhu, self-manifested. He manifests all existence out of himself but he himself has no source, no origin. This is a profound mystery. If existence itself arises in Shiva, Shiva must be beyond existence; and that which is beyond existence cannot exist. This that is beyond existence itself, the sages tell us, is the pure Existent, Sat. Sat, as pure Existent is the source and truth, tattva, of all existence — out of which all existence arises and flows. Therefore the pure Existent is self-manifest, arising out of itself, uncaused and timeless, a mystery beyond all dimensions of being and consciousness, shunya arising out of shunya because that which is not in causality is beyond materiality, a formlessness so incomprehensible that it appears to be nothingness, shunya.

The Yogin learns to rest with such mysteries and not try solving them; the way to Shiva’s inmost mysteries is through profound passiveness and surrender where the mind and heart fall into deep silence and the gaze turns inward, for it is within that Shiva resides. To meditate on Shiva as Swayambhu is one of the most powerful ways of transcending the dualities of consciousness and entering the silence of the soul.

As Ardhanarishvara, the God who is half woman, Shiva symbolizes deeper ontological non-duality: the perfect blend and balance of the creative force of Ishvara, seen as the masculine, and the sustaining and nurturing force of Ishvari, seen as the feminine. As the non-dual divine consciousness-force, Chit-Shakti, Shiva, as ardhanarishvara, represents the non-separability of the masculine and the feminine[1]. The masculine-feminine duality is the primary polarity of our human universe. To meditate on Shiva as ardhanarishvara is a powerful way of transcending this primary polarity of our existence and restoring the original dynamic equilibrium of meditation and action, chaos and order, evolution and assimilation, the outer push and the inner pull. Whoever transcends these primary polarities comes closer to the repose of a perfect identification with Shiva as the Formless, nirakara

Worshipping Shiva, in the Sanatan tradition, is an act of consciousness, an inner consecration and offering of body, mind and heart, a constant invocation of his mystical and spiritual aspects through an elaborate system of external symbols and mantras. Shiva can be easily propitiated if one understands his deepest and perhaps best-kept secret, that he is the indweller, the one who is seated within; the one who searches for Shiva in the universe of form and name is sure to be confounded, and the one who can renounce form and name and invoke Shiva within is the one who will be granted the boon of higher consciousness.

Thus many smear ash on their bodies, metaphorically or actually, renounce homes and families, become mendicants and ascetics, even practice harsh austerities but come no closer to Shiva’s inmost mysteries, for Shiva eludes them like the horizon. But those who understand that Shiva is the inwardness of being are the ones who unravel his mysteries in their hearts and souls. They are the ones who understand that Shiva’s asceticism is not physical but psychological; Shiva’s tapasya is the tapasya of Truth and purity. Shiva’s devotee must descend into the dark caves of the heart and there find the eternal Light.

Shiva is commonly depicted as an ascetic with ashes of corpses smeared on his body. This is a stark symbol of Shiva, the adiyogi as a tapasvi. Tapasya, from the word tapa, heat, is the fire that burns delusion and ignorance. The form of the ascetic represents the inner detachment of the tapasvi who lives in the mortal world, amongst all its attractions and distractions, but constantly aware of its impermanence; the ash (vibhuti or bhasma) of corpses (shava in Sanskrit) symbolize impermanence, death and dissolution — ash being the final residue of the mortal body. Thus, holding always in one’s mind and heart, in constant inner remembrance, the ascetic smeared in the ashes of corpses, the Yogin can rapidly transcend her identification with the body and the material world and attain to the detachment and freedom of Shiva in her own consciousness.

The archetypal yogin and tapasvi, Adiyogi Shiva, is also the Mahadeva who is known as Neelkantha, the God with the blue neck, the blue symbolizing the effect of the poison that Shiva takes within his own body as an act of supreme compassion, to protect the universe from the effects of evil. The symbol goes back to primordial times when the ocean of existence is being churned in a great battle between the Devas and the Asuras. This great churning, mahamanthan, releases destructive toxins in the atmosphere that threatens to destroy all life. Shiva, out of his divine compassion, to save and protect existence, drinks the poison, but the Divine Shakti that eternally dwells in Shiva stops the poison from entering the body and the poison remains in Shiva’s throat, turning his neck blue.

This is profound and powerful symbolism: the churning is the eternal evolutionary process in the human universe that releases forces of good and evil, forces that strengthen evolution of consciousness and forces that oppose it. Shiva takes in the poison that symbolizes the evil or anti-evolutionary forces and holds it in his throat: he does not consume it nor does he expel it, he instead holds it in abeyance and transforms its effect to permanent good. Meditating on this aspect of Shiva, invoking him as Neelkantha, the Yogin can transcend the duality of good and evil, of devas and asuras, and collaborate in this timeless cosmic battle to transform all forces of evil and destruction to the ultimate good of life in the universe. This indeed is the ultimate aim of the Mahadeva: to transform everything, every form and force in Cosmos, to ultimate Good. 

Shiva is also depicted with his hair coiled in matted locks and adorned with the crescent moon. This further adds to the rich tapestry of symbology woven around Shiva. According to mythology, Shiva stopped the descent of the Ganga from the heavens and broke her fall on earth by absorbing Ganga in his hair and reducing her torrent to a trickle. There is obvious Yogic symbolism in this: Ganga is not the river but the symbol of a higher consciousness descending to a fragile earth plane in a torrent that would have flooded the earth. The matted hair symbolizes the higher crown or chakra that alone could contain the descent without cracking. Releasing the flow of Ganga in trickles is symbolic of how the Yogi, in complete control of Prakriti, releases the higher consciousness, chakra by chakra, into the mind, heart and body. Meditating on this aspect, the devotee can open her own mind, heart and body to the descent of the higher consciousness through Shiva. 

Shiva is also known as Trayambakam, the three-eyed (traya, three) God. The two eyes of Shiva represent the ordinary dualistic perception, the sense-universe, the right eye representing the sun or the solar influence, the left eye representing the moon, or the lunar influence; the third eye, which opens when the other two close, represents fire, agni, which is the Yogic or spiritual vision, direct perception of Truth which ‘burns away’ all dualities. This third eye, when open, brings the direct perception by destroying the mind’s powerful identification with duality. This is the reason it is said that the third eye can destroy when focused on the outer world: what it destroys is the delusion of duality. By meditating on this aspect, the devotee can ascend to the non-dual direct perception of Shiva. 

The crescent moon that Shiva bears on his head symbolizes time and the measure of time; in the Vedantic sense, the measurement of time, or any measurement, is an attribute of Maya. In wearing the crescent moon on his head, Shiva represents complete control over time and the Maya of time. Shiva is eternal, beyond time, and thus he wears the crescent moon as symbol of time itself as ornament which can be taken off at will.

The serpent around Shiva’s neck, Vasuki of mythology, represents the vital force of the ego and the deep-seated fear of death. Ego and the fear of death are deeply related, intertwined. The serpent around Shiva’s neck symbolizes complete victory over both, ego and fear of death. Shiva wears the serpent as an ornament which is itself symbolic of mastery. Some devotees regard the serpent as symbolic of the eternal cycles of time, kala. By wearing it thrice around his neck, Shiva represents complete control of kala, time. Time represents mortality. So control of kala is control of mortality.

In a deeper sense, ego, time and mortality, and the fear of death are all entwined. By meditating on this aspect of Shiva, by bearing Shiva’s representative form in the consciousness, the Yogin can transcend ego and conquer all fear of mortality and death. Remember that the mrityunjaya mantra, the occult key to conquering the forces of death and decay, was given as beej or seed mantra by Shiva. 

The trishula or trident that Shiva carries as a weapon represents the triune reality of Shiva as the one who manifests the universe out of himself, preserves it in his consciousness and finally absorbs it back into himself. To some Yogis, the trishula represents the perfect equilibrium of the three Gunas of nature — sattva, rajas and tamas. Through sattva, Shiva manifests Cosmos, through rajas, he sustains or preserves Cosmos and through tamas, he reabsorbs Cosmos into his divine Darkness. Some others regard the trishula as the triune powers or faculties of the human consciousness: Volition, ichha, knowledge, jnana, and action, kriya. With this triune power in hand, anything in the world may be accomplished. Meditating on this aspect of Shiva, concentrating on Shiva with this trishula, the Yogi can master the three gunas in her own nature, master the powers of her consciousness and work towards accomplising the highest good, even as Shiva himself.  

Shiva also carries the damaru, a drum, in one of his hands in a symbolic gesture or mudra called damaru-hasta. This is yet another profound mystic symbol. The damaru or the drum represents the Shabda Brahman or the primordial sound of Aum. When the damaru is played with the right concentration and in the right inner state, it produces the sound of Om, rising to Nada, the primeval cosmic vibration of A-U-M. The Yogin meditating on Shiva with the damaru can enter that consciousness-space where she can merge her being with the Nada and bring something of that divine vibration into her own psychic being.

One of the most prevalent symbols associated with Shiva is the Linga. With the linga, the devotee comes to the purest and most powerful of all symbols of sanatan Hindu dharma. The linga is the symbol of the Infinite, Formless Shiva. It is also the most ancient of symbols, going back to times when the now accepted representations of Shiva in image or idol did not exist. The word linga itself means symbol or mark. Swami Vivekananda once described the linga as the symbol of the eternal Brahman. 

In certain mythological references, we find that Shiva’s abode, Mount Kailash, which is itself a symbol of the highest consciousness transcending Cosmos, is represented by the linga as the centre of the universe, the central axis around which the Cosmos revolves. 

The linga is not just a block of stone but a mark of the great avyaktam, the Unmanifest, and simultaneously, it is the most profound mark of the vyakta, the manifestation; a symbol of the perfect equilibrium of the masculine and feminine, of the visible and the invisible. It stands silent, lone, absolute, evoking in the devotee a silence beyond all descriptions of thought and speech. One who meditates on the linga, understanding its profound Yogic and occult significance, can transcend all duality of manifestation and taste the rarest bliss of the Unmanifest in the Manifest. Through concentration on the linga, one can merge one’s consciousness in that pillar of Shiva’s pure light, the jyotir-linga. The legend goes that Shiva once appeared as a pillar of Light, jyotir-linga, to Brahma and Vishnu, the other two mahadevas of sanatan Hindu dharma, and asked them to find the extreme ends of the pillar. Neither of the great Gods could find the end — and how could they? Infinity has no dimension, no end. 

Shiva’s linga is the symbol of the unknowable in the known, the unmanifest in the manifest. To meditate on the linga is to meditate directly on the supreme mystery of Shiva. 

However, even after all these descriptions and interpretations, one is aware that one has only scratched the surface of a fathomless mystery. Shiva cannot be known, understood or explained by the human mind, however vast be the knowledge or profound the understanding of the mind. Our attempts to describe Shiva are like a child’s attempts to describe deep space. The deeper one delves, the more one realizes the vastness and profundity of Shiva’s mystery: Shiva is neither God nor Person. Shiva never was, never will be. He is and he is not. All forms are his but he is formless. He is nearer than the nearest, more intimate than our own breath, yet he is everywhere and everything. Where indeed to find such a one? For Shiva is dark and void to those who look for him outwardly, in forms and symbols; for those who can penetrate the symbolism of the symbols and the formlessness of forms, he reveals a bit of himself, just the first glimpses, to lead the soul farther and deeper. But to those who are willing to give themselves inwardly to him, as moth to flame, knowing that he is all there is, he gives of himself, freely and with overwhelming generosity. Shiva’s Grace is the Grace of the Divine Mother. To invoke him is to invoke her. He is the one ever-present, indwelling and luminous in our consciousnesses, as Ishvara and Ishvari.

Om Namah Shivaya, Salutations to Shiva, the Luminous One

1Perhaps the first appearance of the Ardhanarishvara was in the Brihadaranyaka Upanishad as the archetypal creature which was of the same dimension as a man and woman closely embracing, which then fell apart into two aspects out of which were born man and woman.

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